Regarded for his slick, genre-bending digital rock, Bret Autrey – typically acknowledged as Blue Stahli – creates cyberpunk anthems of the fringe zeitgeist. Accessible now is his latest one “The Mountain” which will seem on his new album Obsidian thanks out January 15, 2021. Nowadays (December 22), the track’s video makes its premiere via MXDWN.
“The Mountain”-which follows formerly produced solitary “Prognosis”— was written when Autrey was caring for his mother (who was diagnosed with glioblastoma), and it is the shining beacon of the album and the beginning of the method for shaking out all of the emotion of the deadchannel_Trilogy. “The Mountain” combines both equally dread and hope, it is a gradual and torturous climb, very easily explained to with an infectious melody.
“You are in the middle of getting care of the feelings of that but also the outstanding fat of trying to get somebody through what is most likely to be their very last handful of months, and with any luck , you can prolong it,” claims Blue Stahli. “Striving to juggle all these points from health professionals to professionals and facilities, that presents any high quality of daily life particularly when it really is a mum or dad and you know it can be only likely to get worse and worse till it really is lastly terminal. There was under no circumstances a time to have any moment of reprieve. My one time in the waiting around home was when my mom was in a actual physical remedy session so I would pull out my laptop computer and I was doing the job on lyrics or audio for “The Mountain”. Most of the lyrics for these other tracks had been composed right after she had passed and we had been in the center of working with the extraordinary avalanche of points you have to deal with for close of daily life stuff. Like you happen to be correct there at ground zero, it was like I failed to know when I would be ready to put these out or what variety of timeline that would be but I understood I had to get it out”.
The accompanying music video for “The Mountain” crackles on the screen, with fluttering, normally fuzzy visuals of Bret as the track scales to new heights. Erratic cuts and styles in faint filters of yellow, inexperienced and blue shimmer, depicting maybe the depths seasoned by the mind, physique and soul in the course of a reduction of daily life. Eco-friendly interconnected cells or what could be described as a substantial community churn and undulate, blue, the bodily embodiment and the toll taken on the body and finally flickering yellow mild fixtures that later on expose a portray of a sole mountain amidst a murky fog. It continues to be the long lasting memory of the entire nightmare, later on fading to black.
Enthusiasts will locate Blue Stahli returning to his tracking roots on Obsidian, the 3rd of the deadchannel_Trilogy subsequent Quartz (produced on October 2) and Copper (November 13). Making use of modern tracker Renoise to craft the most recent iteration of the Blue Stahli audio, his most current music is a window into his journey by means of getting his mother’s caretaker as she battled malignant mind cancer and mourning the loss of his greatest champion just after she passed absent in 2018 even though on top of that reconnecting with his relatives origins following the loss of a big cornerstone.
Perpetually cinematic, Blue Stahli’s physique of do the job has also underscored terrifying monsters (Lights Out), zombie decapitation (Dead Rising 2), the rescue of the galaxy (Iron Man 3 Star Trek Into Darkness), hailed a new era in online video online games (Playstation 5 all over the world start), soundtracked brutal electronic battlefields (Contact of Responsibility: Fashionable Warfare), and calls to mind gunfights, explosions (Kingsman: The Golden Circle), and cosmic horror (“American Horror Story”). Most lately his tracks “Improve” (with Danny Cocke) and “Clockwork OS/Stackoverflow” look completely in the hugely expected online video video game Cyberpunk 2077.
Look at the video clip here: